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Huge plaudits are due to production designer Peter Francis, whose subtly reconfigured sets disorient the viewer, matching Anthony’s increasingly bewildered experience.
''For that production design and editing mentioned earlier, the film should receive Oscar nominations as well. We tend to think of both crafts in a limited way, mostly based on how flashy the contribution is. Here, the work of those artists (Peter Francis and Yorgos Lamprinos, respectively) is incredibly subtle, but absolutely instrumental in the storytelling and emotional nuance of the film...the craftsmanship on display in this film (as well as the warmly-caressed hues from cinematographer Ben Smithard) are of the highest artistry.''
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